Challenge #1
Anthropocene Great Acceleration
Problem Statement:
There is an urgent need to update the Great Acceleration graphs of the Anthropocene, integrate new indicators, and consider the feedbacks and correlations between Earth System processes and the rapid change in world-systems.
Challenge description:
There is an urgent need to update the Great Acceleration graphs that were developed in the first decade of the 21st Century to articulate the research on the Anthropocene. The ultra-rapid intensification of human activities that mark the transition into the Anthropocene in the Mid-Twentieth Century has been identified as the Great Acceleration of a number of indicators of the Earth System and socio-economic factors by Will Steffen et al. in the ambit of the International Geosphere-Biosphere Program IGBP, and have since then been updated only a few times.
The multidisciplinary challenge is to move beyond the 12 initial graphs, designed to indicate how socio- economic trends and Earth System trends connect to shape the transition of the Earth into the Anthropocene. The clear-cut distinction needs to be surpassed, and more interconnections and feedbacks need to be inscribed into the graphs. A localised understanding of how the intensification of material, energy and information fluxes are shaping territories during the Anthropocene is substantial for all lines of work towards the UN Sustainable Development goals. New methodologies linking the arts, natural and social sciences, and technology can indicate paths to connect polities and democracies to critical data.
Residency characteristics:
Between art, technology and society: Ars Electronica is a creative ecosystem that enjoys a worldwide reputation. Founded in 1979, we annually celebrate the Ars Electronica Festival and award the renowned Prix Ars Electronica.
Our residencies have very individual formats. We adapt to the wishes and needs of the residents and provide support individually. Residents have access to the facilities at the Ars Electronica Center (such as the Bio Lab and the Material Lab) as well as to the vast partner network of Ars Electronica.
Our artistic partner is Territorial Agency. The outcome of the residency will be developed in collaboration with them and could take different formats and development methodologies. This will be developed during the residency, also in collaboration with the LCC members, who will accompany the process and provide feedback.
Residents are expected to arrange physical meetings with Territorial Agency, depending on the necessities of the project development. They are welcome to visit Ars Electronica during the residency and free to make use of the facilities, and expected to attend the Festival, where the outcomes will be presented.
Established artist bio:
Territorial Agency (John Palmesino and Ann-Sofi Rönnskog)
Territorial Agency is an independent organisation established by architects and urbanists John Palmesino and Ann-Sofi Rönnskog. They combine contemporary architecture, art, spatial analysis, advocacy and action to promote comprehensive territorial transformations in the Anthropocene epoch. Their work focuses on the integration of science, architecture and art in the challenges posed by climate change. Through its work Territorial Agency engages different polities to re-evaluate the relations to the complex material, energy and information fluxes that mark contemporary territories.
LCC:
Gerfried Stocker
is a media artist and telecommunications engineer. In 1991, he founded x-space, a team formed to carry out interdisciplinary projects, which went on to produce numerous installations and performances featuring elements of interaction, robotics and telecommunications. Since 1995, Gerfried Stocker has been artistic director of Ars Electronica. In 1995-96, he headed the crew of artists and technicians that developed the Ars Electronica Center’s pioneering new exhibition strategies and set up the facility’s in-house R&D department, the Ars Electronica Futurelab. He has been chiefly responsible for conceiving and implementing the series of international exhibitions that Ars Electronica has staged since 2004, and, beginning in 2005, for the planning and thematic repositioning of the new, expanded Ars Electronica Center.
Robertina Šebjanič
is an artist/researcher whose work explores the biological, (geo)political, and cultural realities of aquatic environments and the impact of humanity on other organisms. In her analysis of the Anthropocene and its theoretical framework, the artist uses the terms “aquatocene” and “aquaforming” to refer to the human impact on aquatic environments. Her work received awards and nominations at Prix Ars Electronica, Starts Prize, Falling Walls, Re:Humanism. She has exhibited at solo and group exhibitions in galleries and festivals like: Ars Electronica (Linz), Tribeca Immersive (New York), CCCB (Barcelona), Matadero (Madrid), La Gaîté Lyrique (Paris), Le Cube (Paris), ZKM (Karlsruhe), MoCAB (Belgrade), Eastern Bloc (Montreal), Cukrarna gallery (Ljubljana).
Residency hosting institution
Ars Electronica
Country
Austria
Keywords
Anthropocene, Great acceleration. Earth system, World-systems, Territories, Material fluxes
Related innovation areas
Anthropocene epoch, Territories, Inequality, Democratisation of access to societal and environmental data
Established scientist
Territorial Agency (John Palmesino and Ann-Sofi Rönnskog)
Jury day
Between the 15th and the 20th of November.