Challenge #9
Brain Hacking - Human Perception Beyond Rational
Problem Statement:
How can we enhance (hack) the brain and expand human perception into multidimensional spaces using body intelligence? By using advanced technology, we aim to explore and surpass the limitations of the human brain, allowing us to accept and integrate non-human forms of intelligence, and to broaden our conceptual frameworks.
Challenge description:
How can we expand the limits of our perception and transform human cognition? The project can relate to the term ‘hacking the brain’ by using advanced technologies to grasp the concept of multidimensional spaces and exploring the new space-time relationship. This exploration questions and expands established rationalistic approaches to understanding perception of space and mind, offering a fresh perspective on the intersections of technology and cognitive science. Scientists are encouraged to think out of the conventional boundaries and propose innovative solutions that broaden our perceptual and conceptual horizons.
We invite experts (aerospace physiologists, physicists, experts on the body in space, etc.) who work with the functioning of the body and senses—its movement, neurology, sound, and hearing in altered states or environments, even aerospace—to gain insights into how physical and cognitive systems adapt and interact. The project centers on exploring how we perceive and interact with space-time entanglement, potentially leading to new realizations and new concepts that come with not only rational perception.
Residency characteristics:
The residency will mostly take place at the Kersnikova Institute, a production platform for artists and projects at the intersection of art, science, and technology. Along with developing and exhibiting artworks in Kapelica Gallery, Kersnikova has an infrastructure of wet and mechatronic laboratories to support them. While focusing on collaborations with experts, scientists, and researchers, we have established a web of connections with public and private institutes. We also welcome new collaborations with any institutions connected with the chosen scientist.
During the residency, both the artist and scientist will be supported by the curatorial guidance of LCC experts, while establishing their own methodology of work that suits them both. Visits to Kersnikova or possible collaborating institutes will be provided according to the needs of the project and the budget. Working together at Kersnikova spaces is desired. Curators and authors will also discuss the possibilities of showcasing their work locally and internationally. Possible participation in workshops, knowledge exchange within Studiotopia, presentations, and video/podcast will be discussed at the beginning of the project.
Established artist bio:
Dmitry Morozov aka ::vtol::
Dmitry Morozov aka ::vtol:: is a transdisciplinary artist and researcher, who focuses on contemporary media art including sound, robotics, and installations, emphasising the link between emergent systems and new kinds of technological synthesis. He is currently based in Ljubljana, Slovenia. ::vtol:: exhibited at the galleries worldwide, including the Laznia Center for Contemporary Art (Gdansk), ZKM Zentrum (Karlsruhe), National Taiwan Museum of Fine Arts (Taichung), Kapelica Gallery (Ljubljana), ArtScience Museum (Singapore), HEK (Basel) etc. He won the Sergei Kuryokhin Prize (Russia), Innovation Award (Russia), Prix Cube (France), and received honorary mentions at VIDA 16.0 (Spain) and Prix Ars Electronica (Austria).
LCC:
Jens Hauser
is a Paris based media studies scholar, writer and art curator focusing on the interactions between art and technology. He is currently a researcher, and has been a Professor in Art History at the Karlsruhe Institute of Technology (KIT) since 2022. He is also a researcher at University of Copenhagen’s Medical Museion, as well as a distinguished faculty member of the Department of Art, Art History and Design at Michigan State University, where he co-directs the BRIDGE artist in residency program. Hauser has been the chair of the European Society for Literature, Science and the Arts’ 2018 conference in Copenhagen (SLSA). At the intersection of media studies, art history and epistemology, he has developed an aesthetic and epistemological theory of biomediality as part of his PhD at Ruhr University Bochum, and also holds a degree in science and technology journalism from Université François Rabelais in Tours. As a curator, he has organised around 30 exhibitions and festivals internationally.
Jurij Krpan
founded the Kapelica Gallery for Contemporary Investigative Art in 1995 and has been its senior curator since then. He has curated numerous national and international exhibitions, including leading the Slovenian national pavilion at the 50th Venice Biennale, the Cosinus BRX gallery in Brussels, and the 5th Triennial of Contemporary Investigative Arts in Ljubljana. He has also been involved with Ars Electronica, Ljubljana Design Biennale, and the Venice Architecture Biennale. Since 2012, he has served as the artistic director of the Kersnikova Institute, supporting research labs like BioTehna, Rampa, and Vivarium. He works on integrating artistic ideas into innovation for sustainable development and has been recognized as the Ambassador of Smart Specialisation of Slovenia. Krpan has been a member of Slovenia’s National Council of Culture since 2019 and its president since 2024. He lectures on the Kapelica Gallery and Kersnikova Institute in Slovenia and internationally.
Residency hosting institution
Kersnikova Institute
Country
Slovenia
Keywords
Space-time dogma, De-quantification, Relativity, Multidimensionality, Embodiment, Quantum fiction
Related innovation areas
Aerospace physiology, Psychophysics, Medicine, Physics
Established artist
Dmitry Morozov aka ::vtol::
Jury day
November 20, 2024