Challenge #5
Non-Human Intelligences
Problem Statement:
The residency is dedicated to developing a deeper understanding of interspecies and cross-species interactions, particularly focusing on the communication between non-human living beings, AI, and their environmental contexts. Authors are encouraged to employ advanced sensing technologies to dissect, intercept and showcase the complex casual interactions occurring within and across species.
Challenge description:
We invite artists to imagine hybrid intelligence that bridges biological phenomena with technological processes, challenges traditional boundaries, and fosters non-human living forms. This challenge emphasizes the dynamics between plants and AI, and cross-species intercognition, focusing on sensorial investigation of plants and the causal relationships between plants and environment. It can employ sensing technology to interpret environmental big data or utilize remote satellite sensing. These efforts aim for a more harmonious coexistence between urban environments and nature, enhancing our interactions with the natural world.
Using data streams from plants helps to assess and mitigate human environmental impact. The residency also explores the integration of biological data with algorithmic processes, feeding artificial intelligence and challenging our understanding of non-human forms of intelligence. As part of our expertise, we offer opportunities to explore creative solutions through advanced sensing technology for plants, and we support translating new interactions into art installations that show the dynamic capabilities of hybrid intelligence.
Residency characteristics:
Kersnikova is a production platform for art projects at the intersection of art, science, and technology. Along with exhibiting artworks at Kapelica Gallery, it has an infrastructure of wet and mechatronic laboratories to support them. While focusing on collaborations with experts, scientists, and researchers, we have established a web of connections with public and private institutes. We also welcome new collaboration with the National Institute of Biology (Ljubljana) in connection to the themes presented in the challenge.
The residency can partly take place at the Kersnikova Institute, according to the needs of artist and scientist. They will be supported by the curatorial guidance of LCC experts, while establishing their own methodology that will suit them both. Visits to Kersnikova and collaborating institutes will be provided according to the needs of the project and the budget. Working together at Kersnikova spaces is desired. Curators and authors will discuss the possibilities of showcasing their work locally and internationally. Possible participation in workshops, knowledge exchange within Studiotopia, presentations, and video/podcast will be discussed at the beginning.
Established scientist bio:
Marina Dermastia
Marina Dermastia is a full professor of cell biology and botany at the University of Ljubljana and Jožef Stefan International Postgraduate School, as well as a scientific advisor at the National Institute of Biology. After training in microbial biochemistry at Brandeis University, she was a visiting professor at the University of Florida. She has authored numerous scientific articles, monographs, and textbooks. Passionate about science communication, she shares knowledge through articles, workshops, and lectures. Her contributions earned her multiple awards, including the 2024 Science Communicator of the Year by the Slovenian Science Foundation.
LCC:
Jens Hauser
is a Paris based media studies scholar, writer and art curator focusing on the interactions between art and technology. He is currently a researcher, and has been a Professor in Art History at the Karlsruhe Institute of Technology (KIT) since 2022. He is also a researcher at University of Copenhagen’s Medical Museion, as well as a distinguished faculty member of the Department of Art, Art History and Design at Michigan State University, where he co-directs the BRIDGE artist in residency program. Hauser has been the chair of the European Society for Literature, Science and the Arts’ 2018 conference in Copenhagen (SLSA). At the intersection of media studies, art history and epistemology, he has developed an aesthetic and epistemological theory of biomediality as part of his PhD at Ruhr University Bochum, and also holds a degree in science and technology journalism from Université François Rabelais in Tours. As a curator, he has organised around 30 exhibitions and festivals internationally.
Jurij Krpan
founded the Kapelica Gallery for Contemporary Investigative Art in 1995 and has been its senior curator since then. He has curated numerous national and international exhibitions, including leading the Slovenian national pavilion at the 50th Venice Biennale, the Cosinus BRX gallery in Brussels, and the 5th Triennial of Contemporary Investigative Arts in Ljubljana. He has also been involved with Ars Electronica, Ljubljana Design Biennale, and the Venice Architecture Biennale. Since 2012, he has served as the artistic director of the Kersnikova Institute, supporting research labs like BioTehna, Rampa, and Vivarium. He works on integrating artistic ideas into innovation for sustainable development and has been recognized as the Ambassador of Smart Specialisation of Slovenia. Krpan has been a member of Slovenia’s National Council of Culture since 2019 and its president since 2024. He lectures on the Kapelica Gallery and Kersnikova Institute in Slovenia and internationally.
Residency hosting institution
Kersnikova Institute
Country
Slovenia
Keywords
Interspecies communication, Phytoelectronics, Non-human big data collection, Machine learning, Biosemiotics, Hybrid intelligence
Related innovation areas
Interspecies communication, Sensorial investigation of plants, Hybrid intelligence, Bio-semiotics, Environmental plant dynamics
Established scientist:
Marina Dermastia
Jury day
November 20, 2024
Budget
4.000 Euros fee/gross (Production budget & Travelling costs covered by Kersnikova Institute, to be detailed in selection process)